Friday, August 31, 2007
(reposted) review: rescue me + SONG 4 U
my plutonic [sic] life partner teeter and i often toss around the idea of publishing a book of our IM convrosations [sic] greatest hits, even if it's only two copies, because, as i've said before, nobody is funnier to us than us and we are one of us. tonight tho we came up with something that i think would appeal to those outside of our circle of 2, and that is the song we wrote, "why don't i have any friends," sung to the tune of the golden girls theme song, which is fitting, cuz this is my personal theme song for my life in los angeles. enjoy.
why don't i have any friends
guess it's just me and tivo again
i live alone and i'm talking to myself
and if i had a party, invited everyone i knew
you would see that who'd show up is nobody
and eating all the chips i'd ask, why don't i have any friends
*(reposted) review: rescue me
[ok, another reposted review, this time from datexedge, originally posted in may, but it's timely actually cuz i'm currently in nh forcing my parents to watch rescue me season 1. since writing this, i got caught up, and while i love this season, what's the big story arc? i don't even want to suggest anything, cuz somebody's gonna have a spoiler tantrum, and even though nobody reads this, i want to make sure my (wee) audience is happy, unspoiler'd, and convinced to watch the show. it's such a good show! and they can say cock and asshole! anywho, new review posted 4 u 2sday. (signed, your friend, prince.)]
one thing i've come to realize about boston, now that i haven't lived there for 10+ years and have become so homesick for the east coast that i geniunely miss living among a million catholic people who have such a colorful pronounciation of the word fart, is that it is one giant small town. denis leary's "no cure for cancer" came out when i was 14 i think, and even though it's an OTT collection of jokes about shit, smoking, fucking, and basically a best of-/overdone melange of bill hicks' material (i know, i know, but i'm over it), the guy became a local hero.
and this despite the fact he's actually from worcester, an hour-ish west. it's the "second biggest city in massachusetts," which is kind of like boasting you're in the top 5th height percentile of the lollipop guild. anyway, worcester is truly the sphincter of the state (you'd think athol would be, but no), so i can see why he's running with the boston thing. like the way people from long island always try to get away with saying they're from queens, except that's a little more like being an asshole but insisting you're actually a shithead. anyway.
so despite the quality of his output/actual origins in rectumtown, leary's still a local hero. so is john raztenberger, and he just played a boston moron on tv. and i'm sure "the departed" is going to top the boston film critics' association's best of list again this year, and next year, and on and on until another movie comes out where everybody pronounces it "faht." the ideal would be "jordan's furniture commercial: the movie!" that regional joke? becoming local legend, as we speak.
but, like i said, i'm east coast homesick, even for new york, which i was so fucking burnt out on a year ago. i spent some time there in january, when it's at its greyest and most soul-destroying, and even then, i wrote an open letter to christ their lord, begging him to deliver me to a job somewhere in the five boroughs that'd allow me the ability to afford my own (currently subletted) apartment. i went to better burger, and while waiting for my turkey deliciousness, a tv was showing ny1 and just the sight of pat kiernan made me want to weep. thank god it wasn't gary anthony ramsey, or i probably would've ripped my clothes and thrashed upon the floor. so when i finally gave in to the chorus of people telling me to watch "rescue me" (a chorus of two; emma was soprano, brendan was alto), it was pretty much the greatest thing ever.
not only is the show dripping with nyfd pride/general nyc goodness (cinema village! vesleka! horrible queens/shitheadville! love it!), but everyone on it is from boston. not just denis leary, but lenny clarke, who sounds like the third tappet brother from car talk, and friggin cam neely-- cam neely!-- who actually gets to play hockey and act like the fourth (not-"funny lookin'") hanson brother from slapshot. can manny cameo as a little league coach? can someone set bill weld's townhouse on fire? can there be a gay couple played by the guys who own jordan's furniture?
and oh yeah, the show is really funny, and denis leary pulls a steve coogan in that he's playing himself to his most assholish finest. i could do without the talking to ghosts, but so could denis' character, and i haven't seen season 3 (dvd out june 5th!), so maybe he does, who knows. i also heard that at the end of that season he sort of rapes his wife (!?), which is an upper level of asshole that might be just out of my reach as a viewer, but whatever, i'll cross that bridge when i come to it. maybe it's a test of my loyalty, and if i can overcome this moment in the show, jesus will deliver me back to my rightful home in manhattan, *and* give me a guild job with dental. ah, jesus. the ultimate catholic local hero.
Wednesday, August 29, 2007
review: l.a. ink
i'm not a huge fan of reality shows, and i find it especially hard to watch the ones that have no competitive element. it used to be those were the best ones, like the first season of the real world, where you just watched 7 interesting people live in a really nice apartment and get drunk. then interesting got swapped out for physically cut, and the drunk turned into shit.faced., and the really nice apartment became an ikea diorama.
i haven't watched that show in ages, but from what i can tell, it's basically "morons gone wild," where they find the cast by pulling up to frat parties in a tricked-out van and selecting the droolingest attendees (plus at least one black and one gay, and if they're not at the party, maybe somebody there has a "weird" roommate?), giving them a gym membership, and treating them for crabs. they might as well just film the nakedish lady who sits behind the registration desk at the standard hotel and show that for a half-hour a week. but keep the soundtrack "hot."
the worst crime reality shows commit, and this applies both to the competitive ones (sweet sweet project runway) and the straight-up observant ones (the hogans have money or whatever), is following a format that treats the viewer like a retarded goldfish. it goes like this, going back to the real world example: in quick cuts, jenny walks into a room, tells timmy she'll blow him, timmy says jenny's racist, jenny cries and threatens to leave the show. cut to jenny saying the following: "i walked into the room...and told jimmy i'd blow him...he called me a racist, and that, like, hurt, and i wanna go home." cut to jimmy saying the following: "jenny walked in the room...and said she'd blow me...and that's so racist! now she's gonna leave? whatevs.com, time to get my party on." when it's all said and done, we have seen some heavily edited bullshit, and then had it described to us, almost exactly as we saw it, TWICE.
then again, if there's anything the viewing public loves in this country, it's exposition. can't get enough of that clunky exposition. law & order? pictures & exposition. how many DA-whatevers has sam waterston had to suffer throughout the years? did any of them have any personality? and does anyone care? they exist to deliver information, period. dick wolf prides himself on how flat his characters are, how the show is about the crimes, not the people who deal with them. to me, law & order is exactly like that show on new york 1 in the morning where pat keirnan reads you the headlines from that day's newspapers. take that, dick wolf-- no actors at all, just pure, unfiltered exposition. fuck ripping it from the headlines-- it's the exact headlines! and no pesky ice t!
csi, ncis, snics, whatever, it's all the same thing, actors speaking stage direction and walking us through a weekly crime. my friend julia calls it writing for the blind, and reality shows are the same, except, like i've said, it's more like editing for the blind/mentally impaired. oh, and i guess the hills doesn't do this, but the hills is so obviously fake that, from what little i've seen, it seems like a sitcom put on by a college tv station. at shallow cunt university.
so right, la ink. la ink is about a tattoo shop right here in los angeles that's run by a heavily tattooed and be-leathered lady named kat von d, and her staff of mostly women and one mellow dude, and the people they serve. it's a spin-off of miami ink, which is about a tattoo shop in miami run by some guy who used to be in the israeli army and must have gotten wounded in combat because he's constantly whining about how much his pussy hurts. kat worked there and got fired, but she's hotter than he is, so tada, own show.
i think what interests me about tattoo reality shows is that, as weird as it sounds, there are high stakes involved, as well as skill. while the stakes for project runway involve an actual prize (and the skills to turn discarded toenails and asbestos into couture), the stakes here involve agreeing to put a sad wolf on a guy's arm for the rest of his life, and making it look as not-stupid as possible (which is what happened tonight-- sad, sad wolf). plus, unlike miami ink, the staff of la ink aren't meathead crybabies, so you can respect their talent without wanting to slap them all the time.
still, la ink is so, so guilty of the watch'n'summarize format, plus it has the added bonus of completely scripted and awkward narration. it runs throughout the show, but it's always worse at the end when when kat has to tell us what we've learned, which is tough when you have to tie together a sad wolf tattoo, an annorexia recovery symbol tattoo (don't ask), and kat's decision not to get fake tits. is there any good, not-awkward narration that could encapsulate that lesson? not by my hand.
and so much of the show is bullshitty, from the shop itself (it's not actually named LA ink, but they keep having to call it that for some reason) to the customers (all pre-screened by tlc for maximum drama). and what you learn very quickly, on this or any tattoo show, is that there is no "good" reason to get a tattoo. eg, i'm sorry your grandpa died, but i don't think you honor his memory by getting a turtle branded into your skin above your ass crack, and it's a bummer your husband left you, but getting the lyrics to "under the bridge" engraved on your foot won't stop the divorce, etc.
the artists always handle it well-- they are good at what they do-- but you kind of feel bad for them, cuz here they are, respected in their field, and they have to give some shithead a tweety bird riding a dolphin over a celtic cross because said shithead has an amazing sob story about his brother dying in a car accident with actual footage of the collision. then the artist has to scriptedly admit that their brother also was in an accident (rear ended in the target parking lot, but still). now that's television!
so it's this weird balancing act of showing shop drama (that isn't too, too contrived, but still expositioned to the hilt) and tattoo drama (which starts being more comedy than drama after about one episode). la ink does it pretty well, although, like i said, the narration is a killer, as is the shop manager, who is so grating and forcefully nice as only la people can be (i am so cute and wacky! i am asking inappropriate questions! i am wearing a tight shirt! i am going to find a way to turn being this way into a career! hurray for hollywood!).
and that's the other fucked up thing about la ink that fascinates and amuses me-- kat von d, and many other people on the show, fucking love los angeles. how could anyone do that? and i say that not because i loathe la, because i really don't-- i hate certain things about it, but there is nothing about la that makes it unique enough to me to hate for its la-nes. the traffic sucks, but it's not a special kind of traffic where you have to switch lanes every thirty seconds or get a ticket or something. there are a lot of mexicans, but where along the border aren't there a lot of mexicans, and besides, their contribution to the culture is mexican, so shouldn't we give the credit for good burritos to oaxaca or something and let la find a food it invented itself?
it's like when my dude friends date girls who don't talk. it sucks being around said girlfriends, because they just stand there and don't talk, but that doesn't exactly make them hateful. just boring. and there are women on this show who think bikini tops can double as workplace casual, who have tattoos on their faces, who have paid to have their tongues forked, and oh how they love living in los angeles, the nation's mute girlfriend, the blandest place on earth! still trying to figure that one out.
anyway, in the scope of reality shows, la ink is compelling enough for me to watch on purpose. and maybe it can teach me why people like la, cuz it's on the learning channel, and knowledge is power. of course, if this was an actual reality show, someone else would come on to summarize what i'd written almost verbatim, but it's not, and i'm tired, and, god willing, you're not an idiot. and don't have crabs.
Monday, August 27, 2007
(reposted) review: heroes, or, "et tu, nerds?"
[i chose this image cuz this "hero", the e-slut with a heart of good intentions, possesses the following special skill; she has an evil, superstrong dual personality (her dead abused sister? because that makes sense why?) that lives in the mirror and sometimes gets out (why and how now?) and takes over her (nubile) body to kill people, even possibly her son (who can fuck up computers with his mind-- does that mean he can access mommy's nudie site for free?) and her husband (who's forrest, not gunn, i know, i got confused, too, and not just because they're both black) (those are buffy/angel references, since we're probably all confused now, but gunn will come up later). long story short, that is the lamest "hero" quality i've ever heard since she's really only a hero when she keeps her cunty side in check/is weak/doesn't kick ass, in which case i'm a hero every time i see one of my neighbors take up two parking spots with their 1984 volvo and don't pull them out of their car and put my fist in their right eyeball. save me a parking space, save the world, kiss my ass.]
if you ever happen to be walking down broadway in new york city, past the long gone novelty store below madison square park where i once purchased a crown made out of plastic bones, past abc carpet & home/the world’s largest collection of candle holders, past the farmer’s market and the dizzy whole foods patrons and the bellowing black israelites, you’ll emerge from union square and soon find yourself outside a store called forbidden planet.
if you check your bag, you can walk among the comic books, the action figures, the japanese paperbacks filled with drawings that have to be violating some sort of republican legislation. but if you’re really curious, you might find yourself in front of a staircase towards the back. and if you take those stairs up, odds are you’ll see a room full of boys, age 12 thru 30 (at 30, still boys), playing various games involving maps, cards, and dice with at least 10 sides. the air will be filled with a mix of skin medication, sugar breath, and fear. you should make no sudden movements.
these, my friends, are true nerds.
if you come to my apartment on a monday night, all you’ll find is me, my latest trader joe’s slurry, and my stinky dog sitting on the couch watching heroes. i have no idea why i watch this show. i mean, i know why i watch it in as much as i know why i watch so much tv– because my parking situation puts me in a martha stewart-esque house arrest lockdown, and while there is no electronic anklet, both martha and myself have passed the time with crochet. due to my confinement, i’ve watched an episode of ugly betty, for chrissake. i had a season’s pass for drive.
drive, however, no matter how implausable and humorless, had the draw of the involvement of tim minear and nathan fillion. the former worked on buffy, angel, firefly, wonderfalls, and basically tons of television shows i have seen many, many times (except for angel, but it was worth sitting through every episode once just to see angel get supersized and end up shopping at today's man big and tall and dead).
nathan fillion was the star of both firefly and the film it spawned, serenity, plus he starred in slither, which was made by james gunn, a man who is not only the brother to sean gunn, who most people know as tv’s kirk from gilmore girls (but do not know was the inspiration for the name of gunn’s character on angel [all the weight gunn’s character lost over the course of the series, angel found]), but as the guy who wrote the updated dawn of the dead and married the office’s pam. pam, who was on a couple of episodes of undeclared for maybe five seconds each.
so, as you might have noticed, i am a nerd, too.
there’s a reason that the magic players have to hide, even in a comic book store, and that i don’t allow paragraphs like the one above to be uttered in casual conversation. nerds like us aren’t exactly smart, we just care way too much about something most people think is weird, stupid, or some combination of the two. most nerd obsessions are tv shows that hardly lasted (fire! fly!), games with instructions that take a month to get through (unlike social interaction, which has no instructions and is therefore no fun), and comic books which often feature mutants (hello) or normal-seeming types who have to hide their secret identities (yahtzee). if you fill that criteria, congratulations, proceed directly to finding your internet friends, do not pass go, do not collect 200 spacebucks.
but heads up– you are not a nerd if you follow heroes. or lost. or star wars for that matter. you stay downstairs with the rest of the people looking for spiderman 3 merchandise.
granted, i know plenty of nerdy types who like all of the things listed directly above, but a love of star wars is usually just the tip of their nerd iceberg. if your only claim to nerddom is remembering character names and owning some action figures from one of the most popular films in the history of time, then that pretty much makes you…alive. get in line behind every male under the age of 40 who knows who boba fett is. which is to say, every male under 40 with a pulse.
and if you’re obsessed with lost, that’s great, but if you can discuss your tv obsession around a water cooler with the same co-workers who own king of queens dvd sets and think rosie ruined the view, then you’re nowhere near nerd territory. sometimes, with tv shows, time makes all the difference– for instance, if you loved twin peaks in 1992, you were 1 out of 3 people who owned a television. if you love it now with the same fervor, then you have probably arrived.
and heroes…i don’t even know where to start. it’s like xmen, but the mutations are subtle enough for the characters to stay pretty (poor characters, having to hide their abnormalities behind gorgeous exteriors!). sure, it does have some visual similiarities to comic books– square jaws for dudes, capital B Boobies for ladies, and you can’t have a villian without giant brows or glasses of death.
but the thing most nerds really latch onto is a rich mythology. the trek universe, the different types of kryptonite, the legacy of the browncoats– these are all intricate histories that don’t and shouldn’t appeal to a mass audience, but, for some of us, they’re a joy to learn inside and out. heroes has some twists and more cameos and one-off characters than the love boat, but the mythology is paper thin. it’s not a world you can get lost in, because it’s too much like the one we already live in. star wars might be an international phenomenon, but at least it was creative (and talk about mythology– it’s the hero myth, plus ewoks!). despite the producer presense of bryan fuller (of wonderfalls [with tim minear!], which still has a strong cult following despite airing only 4 episodes, thus is nerd central), heroes lacks that creative spark. there are mysteries, but no mythology. it’s nerd programming for dummies. which i guess is why it’s such a success.
as long as i’m stuck in this house, i guess i’ll keep watching heroes. i don’t think i’ll ever care about it tho, certainly not as much as i care about captain malcolm reynolds, aka nathan fillion, and all those who flew with him. if you ask the kids upstairs at forbidden planet, they’ll probably say the same thing, but they’ll roll their eyes a lot more. in a way, the real heroes are the drama geeks who organize buffy sing alongs, the desk jockeys who use the word frak casually in office conversations, even the guys who show up at comicon in late july socal heat in full storm trooper gear. now if that was a tv show…it would probably be cancelled after 4 episodes. but i would have the season’s pass.
Thursday, August 23, 2007
mini review: mad men
i started watching this show for three reasons: 1, creator matthew weiner wrote for the sopranos, and i'll take what i can get until david chase comes out of hiding (but i won't stop believin', har har); 2, whedon-y alumni are on it, namely "yolanda" from firefly (pictured above) and angel's creepy prophesy son who apparently inherited pappy's potential for face bloat; and 3, because i have no life, no life to the point where i am almost lifeless enough to require the help of a prophesy myself if i ever hope to at least partake of the act that leads to procreation.
so.
i stopped watching this show for three reasons: 1, it moves like creeping jesus, because for some reason, non-hbo cable dramas have this idea that nothing compelling has to happen before act (commercial) breaks, like they don't care if we come back after the commercial because they have our cable dollars, anyway, and when your show is about advertising, ie, about how commercials are made, thus being in some ways an ad for the ads you're going to be forced to see, a little suspense never hurt anybody; 2, it's about advertising, which in any era is kind of awful, especially in the late 50s/early 60s, when everything was awful across the board;
and 3, which is the big one, i repeat, things in the late 50s/early 60s were awful across the board, unless, of course, you were a white man. white men, republicans especially, get so hard at the thought of returning to those idyllic days, because, even though women were treated like second class citizens and black people were barely treated like human beings, mr. whitey had a picket fence and his kids didn't swear and his wife prepared three square meals of red meat and vacuumed wearing heels. on this show, the secretaries are manhandled, the wives are cheated on, the black people are virtually invisible...and when your show is more artifice than substance (the stakes never feel that high, but our protag's bathroom fixtures are period accurate!), when there's no real tension or story to distract you from the details of the era, then the era itself can either be a boon or a distraction. or, as far as i'm concerned, a real hindrance.
and maybe other people don't have this problem, or they find the search for the perfect cigarette campaign to be more way more compelling than i do, but i spend less time focusing on the thin plot than on what boring dicks these characters are. i wouldn't want to watch a show this dull set in a pre-civil war plantation master's house or in the cottage of a quaint german family right before world war II, either (although "the pope: the early years" might have a large built-in audience [of people who aren't me]). this show is basically a nostalgia showcase for a time that most people are not, should not be nostalgic for. my prophesy though: this show will be the respected jewel in amc's crown and return until their crinoline budget runs out, because while women can't legally be groped in the work place anymore and black people can run for president, the white man's status is still going strong. and he's expecting his steak now.
ps: this show is set in 1961, and while the women on it aspire to secretarial school and finding the best smoke for when you're pregnant, during that time my real life mother was in school at the university of chicago, soon to be one of 11 women in her class (of maybe 100 people total) at harvard medical school. so FUCK WHITEY. and belated happy birthday, mom. my gift to you is not dvds of this show.
the LadybiRdS record is at a store near you!
my plutonic [sic] wife, teeter sperber, is in a band called LadybiRdS (capital letters theirs), and their record, "regional community theater," came out on tuesday on creep records. teet's spent the last six months being one-half of a very compact publicity voltron, but i thought i'd do my part to pitch in.
if you do not know teet, she's spent years breaking her back for a zillion other bands, either by being their merch wench, or designing them custom totes, or booking them shows in a bowling alley, whatever, so it makes sense that she'd finally get some (well deserved) spotlight time for herself. also, i co-wrote the words for 4 songs on this record. just putting that out there.
in addition, i would like the record to sell in such numbers as to convince teet it's worth going on tour so i can join her and tyler (the band is also a voltron of 2) in a van and drive cross-country again but this time go to the parts of the northwest where they don't sell meth and also avoid wall drug. i can sort of drum, vaguely remember how to play piano-like instruments, lift heavy objects, eat chicken selects, and drive for long distances without having to pee. if that isn't the perfect resume, i don't know what is.
i know for certain that nyc residents can get a copy at kim's or the virgin megastore in union square, but for the rest of us, there's always amazon. and you can listen to samples here, but basically, if you like the postal service even a little bit, you will probably like this record. more importantly, if you like teeter even a little bit, you will certainly like this record. altho toby says, "This record is so sweet and poppy it makes the Postal Service sound like Merzbow," which i think is kind of awesome.
long story short, teeter's on a record that got released tuesday! fuck yeah! tell your friends! i will now return to my cave to crochet an air conditioner and generally toil in silence (save for listening to this record).
oh, and look at these, which i love, even tho i hate lol cats/dogs/politicians/whatever. but only after you buy the record. dammit.
Monday, August 20, 2007
review: superbad
i lied, this isn't a review, because everyone knows "superbad" is funny. to find this movie less than very funny would take a considerable effort. sure, the action drags a bit in the middle, but that's the great thing about really funny movies-- who gives a fuck? when i first saw "old school," i thought, ok, that was funny, but nothing actually happened, eg, the guy who loved his wife stayed with his wife and the guy who shouldn't have been married got divorced. that's not right. while i'm the first person to admit that my college education was a waste of time, money, and brads, i did learn one thing from the late screenwriter charlie purpura that i will carry with me forever (the dude was a former tough guy from brooklyn who wrote "satisfaction" and "class," which made him senior faculty in my department. at a school i attented on purpose. and i don't even hate my parents! anyway). charlie said in class that, over the course of your screenplay, your central characters have to change, period.
keep in mind that he also once said, "have you ever really thought about feet, i mean, thought about them?", and, "have you ever been shot? it really fucking hurts!", and, "i just remember doing blow with andy mccarthy and wondering, are you fucking serious?". but the change comment a, had a context, and b, made sense, so i had to agree. when another guy in that class, a dude with a ponytail (!) that was fading back to being blonde (!!) from being pink (three strikes, asshole!), asked, "but what if the character dies?" charlie said, "that's a pretty big fucking change, isn't it?" but oh how i wish charlie had just shot him in his light pink mane. r.i.p., chuck.
anyway, nobody in "old school" changed, and that bugged me, but then i saw it the requisite 5 more times on hbo and it didn't take long before i forgot the movie had a plot at all and noticed only frank the tank, the tranquilizer dart, and luke wilson covered in ky protoplasm. i read some interview lately with judd apatow and a sampling of his ensemble, many of whom i've been obsessed with steadily since freaks and geeks was just in the promo stage, while the rest of the world was finding their amusements in larry the cable guy and scary movie 4. and mr. judd (or one of his talented harem) said that it's not about the plot of the movie, it's what you do with it. "two nerds looking for beer and trying to get laid" does not a successful pitch meeting make, but there you go. and it works. and infuriates the struggling screenwriters who are sitting at insomnia on melrose right now trying to think of some exciting new superhero/supreme court justice hybrid or a reese witherspoon romantic comedy that also bends the time/space continuum.
but none of this is the point-- i'm not writing about superbad just to call it funny (duh) or explain why funny movies get a pass in terms of storytelling, character development, and everything else (have you ever been shot?). i'm writing to just put an idea out there-- a lot of reviews of superbad, or really any recent apatowian product, dwell on the notion that these are movies by and for young dudes. as a not-that-young not-dude, i think that's horseshit, but i would like to propose the following challenge to apatow, rogen, segel, whoever gets to write the next movie-- write the screenplay with a dull sounding plot that will turn out hilarious like a guy who wants to win his girlfriend back or a pack of high school dudes who fart or whatever, write the whole thing out with your usual dude protagonist, and then when you're done, hit replace all in final draft and make the dude a girl, the girl a dude. you might have to scramble some pronouns and redistribute some boners, but otherwise, voila. did i just blow your mind.
because as admittedly afraid as all apatowians are of girls, i think that the true test of whether their comedy is universally funny, not just for young dudes, is to let the ladies get to make most of the jokes for once. because when i saw superbad, it reminded me so much of myself and my bff teeter it was insane, and we're 300 years out of high school, and dickless. it's not like there are no funny women in the apatow company-- busy phillips (story by credit on blades of glory? wtf?), sarah hagan (she was millie AND a potential slayer), carla gallo (bleeds in 2 of the last 3 apatow movies)...not to mention jennifer konner and alexandra rushfield, a writing team who worked on undeclared and also created the short-lived tv show "help me help you," on which judd apatow and seth rogen made a joint guest appearance. so it's not like they don't have each others' email addys on hand.
it's great that the roles for women in these movies are many notches above "supportive girlfriend/wife/blonde", and that, from cindy sanders to trish, the "hot girls" in the apatow universe have often been realistically hot, not 2-degrees-from-porn hot, but they've still always second banana. and i'm not saying that there's a lot of precedent for funny girl movies like this, because there's been this tendency to overcompensate when writing movies where women are funny "like men," and have them not just make dick jokes but have diarrhea in the supermarket because they got food poisoning from a tampon served with semen that had been left out in the sun too long or something. that's why i'm saying, write the thing up, change only the names, and see what happens. then see if monica keena is available (and timm sharp, too, just cause, i've got needs).
i don't know when, if ever, audiences will want to find women funny. it's not that they don't eventually, but...look at sam bee on the daily show. it's taken her much, much longer to get the off-the-bat posi audience reaction that her less-funny husband jason jones got after a month, and her jokes are just as dirty and/or, for lack of a better word, humiliating as any other correspondent (again, probably funnier-- man have they fallen off lately, ben karlin, come home!). you see a cute blonde lady, and your gut doesn't say ha ha the way it does for gorey-looking jon oliver, i get that. but when you see seth rogen, your gut probably doesn't say romantic lead, either (except if you're me-- he had me at that line in freaks an geeks when he said a tuba was like a big brass toilet).
long story short, guts are often wrong, comic sensibility isn't so radically different between genders, and if anyone can make a movie that's funny while having heart, boners, and a female lead, judd apatow can. he can-- nay, has to-- make the change. and nobody has to die.
Tuesday, August 14, 2007
pt. 5: OR pt. 2, CA - the end
eugene! how can you not love a town that always makes you think of revenge of the nerds? i'd been there before, back in 1997 when i went all around oregon and washington, ending up at yo yo a go go and seeing the gossip pre-fame (but mid-mediocrity), sleater-kinney pre-"artistic growth", and modest mouse pre-fame, as well as pre-rape. good times!
my friend joe used to live in eugene, and he drove an old volvo that looked like the batmobile, and we drove to the coast with his roommate. the whole trip, from the ride in the car to the mini hike through the woods to get down to the windy beach to the windy beach itself, was just shockingly pretty. like that luna song "california all the way" could have been playing the whole time. or maybe more something by galaxie 500. their cover of "listen the snow is falling"? fuck it, think of a song that makes you think "idyllic," insert here.
my friend molly is from eugene, then lived in new york for a long time, which is where we met maybe 8 years ago-- her group of friends were some of the first people i met after starting hockey. we'd all gone to nyu, but didn't meet there, because you don't make friends at nyu, you make bad student projects, enemies, and a financial deficit that will follow you to your grave. molly was also the person who convinced me to start watching buffy, so i both owe her my life and must destroy her for the combined months i've lost just rewatching "the zeppo" and "band candy" alone (these are buffy episodes-- i can refer to most episodes by their titles, as well as tell you who wrote them. fuck you, molly. and bless your soul.)
molly lives in an adorable li'l house not so far from the "downtown" with her manfriend, who i will call j., because it was she does when interneting, so i will follow suit. they fed me brownies made in one of those fancy new "only edge" brownie pans (check boingboing), then gave me the eugene tour, which includes, but is not limited to:
fig 1. "ants"
fig.2: "molly's amazing technicolor job door."
fig. 3: "chad"
fig. 4: "huh?"
molly with a statue of eugene's most famous author, captured forever in bronze as he reads to women and children. that author? ken kesey. let me spoil the ending of the book he's reading: "and then they all took acid and got naked. the end."
they also took me to delicious bbq, altho the atmosphere wasn't delicious, as the owner, a fat old man who will die on the toilet after a heart attack from too many battered'n'fried pickles, gruffly 86'd me because i had my dog. and when i say gruffly, i mean he was a fucking asshole. my bad, you oil drum with legs. whatever, we took the food and ate in a park, and even though we got baptized by the municipal sprinkler system, it was still a fine meal. in addition, i hate that guy.
i also made molly n'j. watch "idiocracy," and while i haven't mentioned this yet, my trip was an unofficial evangelical mission to spread the movie's gospel. when i first saw the movie, i had mixed feelings-- the movie began, like, 7 times, but at least it had a clear ending (which office space really did not). but, just like office space, the more you see the movie, the less you care. it's just fucking funny.
i made maysan and chris see it, and even though they hate everything but "law & order" and have a rating system that maxes out at 2 stars, they didn't just not hate it, but they actually liked it. teeter had shown it to so many people at mt. hood that most of the staff were quoting it without blinking ("tards can lead totally kick ass lives" is a favorite. and fuck no i'm not going to explain it, see the movie). anyway, molly and j. liked it, too, so hopefully they'll spread the word to the 10 other people that live in their town (11 if you include ye olde asshole who bleeds barbeque sauce, but natch, i don't).
that concluded my time in oregon tho. they left early the next day for work, i left soon after and locked up the enchanted cottage behind me. the end was nigh. and i'm not just talking about my trip.
CA:
berkeley:
oh, berkeley. i've had nothing but good times in berkeley. for years, i'd go to visit my friend paisley in the bay area, and we'd get burritos on telegraph, browse the mega hello kitty superstore in san francisco, and dodge drum cricles near campus (she grew up there AND went to school there, brave girl). when i was 18 she took me to 924 gilman, the abc no rio of the west coast, which is to say, the diy performance space that is good in theory but kind of excruciating in practice.
we didn't go in because of some drama with the guy at the door and her best friend that involved the sex/drugs/rock'n'roll trifecta. we hung out outside with some drunk kids, one of whom wore a shirt that said "hatexedge" in sharpie, and then left 15 minutes later. and then a week or so after that, paisley found out that right after we left there was a huge brawl that forced the place to close for a month, so...punk rock?
i would also like to take a moment to talk about my favorite show i ever went to at abc, which involved the locust and somebody else in the summer of 2000, i think. i went with my friend anthony, but we didn't even bother to try and see the locust because the room was a fuckin' shvitz. because abc is always freezing in the winter and a sweatbox in the summer, and there always seems to be a whole new group of kids on the collective who have been given no instruction by the old, now-disaffected regime, so they are left to reinvent the abc wheel for the 9 millionth time, and that wheel is once again lopsided and wedged in place by kids who come to shows and refuse to spend their weekend away from long island not being drunk. where was i?
anyway, anthony and i just hung out in the garden with our friend/my former boss, peter, bored out of our minds, so anthony decided to start a rumor that slayer was playing a show that night on a rooftop in greenpoint. we did this by talking to each other loudly, repeatedly, about slayer, and were we going to their show that night in greenpoint, because we heard they were playing a show that night in greenpoint, and are you coming to see slayer tonight on a rooftop in greenpoint, etc, etc. over and over.
finally, this one guy on the other side of the garden, keeping it so real with the crust punk aesthetic that you could actually see the filth, shouted, "does anyone know anything about this slayer show tonight in greenpoint?"
to which some girl replied, "whatever. that was yesterday."
so...punk rock!
and here's a picture of mount shasta, which i passed between oregon and berkeley. california really does get more and more hellish the further south you get, cuz doesn't this look like heaven? or at least not-orange county?
and how sad is it that before i even thought, wow, that's beautiful, or, dang, snow, i thought, doesn't pavement sing about this? ("unfair"...how i hate myself).
anyway, paisley is now in LA, but my friends cristie and elanor are in berkeley-- cristie just for the summer to learn spanish before she returns to her english lit phd program back east, el indefinitely as she's looking for an agricultural policy-style job, and lord knows it gets farmy in davis and around santa cruz. we all went to high school together, and whenever i'm convinced that i am fat, friendless, and doomed to die so alone that i won't even be there, i remember that i have managed to keep my 4 best friends from high school. so i can't be a total pariah. just maybe part-pariah. part-riah. whatever.
i stayed with cristie and slept in her li'l sister's room since she was out of town (her sister is at berkeley getting a phd-- they are a smart, tall family, and, fun fact, they always have a container of naked cooked spaghetti in their fridge back in boston, don't ask me why). cristie's advice is so famously wise and insightful that there was a period in college where all 5 of us wore bracelets that i'd made that said "what would cristie do?", so when i started ranting about my sister's wedding, she let me vent and then steered me towards the path of righteousness and light. sadly, i insist on staying on the path of grumbling and antagonism, but i appreciate her effort.
and really, i love my sister, but i hate the way we (ie, women) view weddings in this country. because if a wedding is supposed to be the best day of your life, then that means the pinnacle of your existence is the saturday you wore white like a fucking sacrifice to the volcano god, made your closest girlfriends wear matching dresses (and unless your name is berry gordy and your friends are the supremes, why would you do that to people you actually like?), and got your parents, who love you and raised you and wiped your tiny shitty child-ass even though that's disgusting but their love for you blinded them from the fact they were handling another human's feces, you got those very parents to help you burn through the equivalent of most of your college tuition or the down payment on a house in a single day. so, like i said, i love my sister. but if she tries to get me into a matching dress i will literally shit all over it. and my mother's blind love will turn to blind rage.
this is not what cristie would do.
eventually we went to el's for dinner and had some extremely delicious pesto and veggies, all of which were from a food co-op of some sort, which is what you get when you go to a meal prepared by people that work in agricultural policy whatever (both elanor and her bf, kumar, are in the field, no pun intended). they also had a friend named sally visiting from boston who's originally from indiana, and she's the one who told me my sister's future home is in klan country. IT ALL COMES FULL CIRCLE.
i should also note that if i ever get caught in an apocalypse, i'd want elanor on my team, not just because she's been my friend since i was 12, but because she is a fucking wizard when it comes to food. she's the kind of person that doesn't just know how to make delicious pesto, but probably has a recipe for every part of the basil plant down to the roots, which might taste good as a jam or something, and that would be no problem for elanor since she does her own canning, that is when she's not baking a pie from scratch or experimenting with her apple crisp recipe (with apples she probably picked herself, although one time i provided apples from my own tree in nh, and i was honored that she was the one to make them into a culinary delight).
oh, and i'd want cristie there, too, because she'd probably know how to get potable water, distract us by teaching us 3 part harmony to joni mitchell songs, and keep us from cannibalism (again, cannibalism = not what cristie would do).
oh, and elanor's boyfriend loves the As as well as bobble head dolls. tada, evidence.
natch, the next day we met up for more delicious food (there on the left is el, then cristie, then purty flowers because berkeley is truly eden). even though el didn't prepare it herself, she chose the cafe, which is the next best thing. she also took me to the cheese board, which is a bakery/pizza place/cheese emporium, and it's also pretty much the place i went to be buried.
i had this curry/cheese/potato english muffin of the gods there that, on those days when i am sitting in my hot LA apartment doing nothing but sweating, wondering when the super's going to fix the fucking washing machine, and hoping that griffith park doesn't catch fire again, i am extremely tempted to drive 6 hours to go and experience all over again. el might be able to fed ex me one, but she's probably too busy helping organic farmers, making something amazing out of banana peels, or generally saving the world. cristie is back east already wasting her good advice on undergrads, plus the food there probably sucks.
and i tried to take more arty flower pictures, but it was morning/foggy, so my flash went off, and flash flower pictures look creepy to me, like flower porn or something. so behold, an underaged rose. wood paneled basement not pictured.
oh, and i almost forgot-- before cristie and i passed out, we watched idiocracy and another heart and mind were won.
but a heart was also broken as i dropped cristie off at class post-english muffin of the gods, gritted my teeth, and began the last leg home.
santa cruz/LA:
i started my trip my trip by visiting my cousin sara, so it seemed only right to end it that way. we ate goat cheese salads and chocolate rolls i brought from the cheese board (now referred to as "the cheese lord"), generally had a lovely time...and i thought, i can do this. i can go back to LA. because i might be returning to a hot, moth-filled apartment that has no corresponding parking space but does have a back yard full of dog shit, to a city that spontaneously combusts and is populated by people rendered so inconsiderate by their car culture that they openly stare at others at ralphs and would sooner walk right into you on the hiking trail then deviate from their arbitrarily set path, in a state that, despite looking like an apostrophe, does not know how the possessive works (see: ralphs)....
but i can do this.
because even if LA is not ideal, and even if i have very few people in the direct vicinity with whom to share my suffering, i do have people. they might be further north, or east, but they are there for me with homemade hummus and a bowl of water for buzz, or by adding my favorite gza song to their dj set or allowing me access to their best secret thrift, or by finding me funny and being funny and generally being there.
and by being amazing! by juggling an infant and a toddler, or preparing for rock stardom, or by virtually being a one-woman arts section for the local alt weekly, or by making a living writing, or by saving the world, or by trying to save my sanity. did i mention that sara had just completed a relay swim across lake tahoe? that's amazing! plus she's yay close to completing her phd. how rad are these people? and they talk to me on purpose! shit!
and since i've been back, i've talked more to the other people in my building, gotten more aggro with my neighbor about our parking space arrangement, left my house to do things besides hike and buy food at trader joe's...i mean, tonight i saw david lynch at the astro burger. that's got to be a good sign.
so that was my trip. and a lot of tangential bullshit. until next summer, i guess.
why do i suddenly crave chicken selects?
FIN
Saturday, August 11, 2007
review: okkervil river, concord, nh, 7/14/07
like okkervil river, my friend rebecca also lives in austin but is from new hampshire, and she loves nh, but she also left at 14 to go to high school in boston, which is where we met. i'll never forget our first meeting in mr. connolly's english class-- she had on a ramones t-shirt and plaid converse. i would later find out that her knowledge of the ramones was limited to their appearance in "rock n'roll high school," but there was an unspoken bond, a silent, "gabba gabba hey, one of us!" it's funny to me that i decided she'd be my friend based on her t-shirt and shoes, yet here we are, 15 years later, still friends, still bonding over a band, going together to see okkervil river in the capital city of my adopted/her home state.
the show was put together by some guy on the san antonio spurs who, like rebecca and okkervil river, grew up in new hampshire and ended up in texas. unlike them, he got his start playing ball at the concord boys and girls club and wanted to give back. and since all people from new hampshire can name anyone of any note who's also from new hampshire, he reached out to okkervil. i don't doubt he's a fan (more on that later), but when you think about it, the musical selection was rather slim-- the short list of notable new hampshire musicians includes:
-jon spencer (just him, no blues explosion, not the dead west wing guy)
-gg allin (dead, and in life, flung poop)
-at least half of aerosmith (won't drive south of exit 10 on rte 89 for less than 25k)
-mark mcadam (not so famous, but we played hockey together, he's good people, and he went to high school with lisa suckdog who did rollerderby, but she's more a zine person than a music person, and she bred with a nazi, so no thanks.)
-mandy moore (born in nashua, but i don't think raised)
-scissorfight (there's a reason you don't know who they are).
-okkervil river (duh)
it's a short list, but i think it's actually pretty complete, and okkervil river are the only band on it i'd actually like to see. (no offense, mark, plus i saw the blues explosion i don't know how many times in high school, but i remember the first time they were opening for buffalo tom in providence, and rebecca could not go because it was a week night, she was a boarding student, and besides, i don't think she ever really fell for their shtick.)
from what i understand, the lead singer of okkervil river, will sheff, grew up at the nh prep school where both of his parents taught. this makes sense, because, unlike rebecca, he didn't have to go far for an education that wouldn't insult his intelligence and a community that wouldn't brand him a freak. it's not like anyone who's different is stoned in the square or something-- hostility is actually pretty standard issue for everyone, at least in small towns, and probably not just in the granite state.
in the town i live(d) in, i'm pretty under the radar, and the people who do know me either find my weirdness funny/proof i don't think my shit don't stink, or write me off immediately because i'm not from the town originally. whereas if i was from the town originally (and by originally i mean second generation-- i know people who've lived there 20 years who are still seen as newcomers), there would inevitably be some beef against my family, like i mentioned earlier, and there is no beefless family, trust me. they only way to avoid said beef, aside from not being a native, is, you guessed it, to leave.
and i guess that's why it was so important for both me and rebecca to see okkervil river in concord, and maybe also why it was important for the band to play there-- it's rare for people like us to really get to be ourselves in new hampshire with other people watching and have the reaction be anything but confusion or contempt. when we got to the show, i wasn't actually sure that was going to be the case; not only were we the oldest people there (me, rebecca, and her boyfriend, nick, just for the record), but the crowd was seemingly made up, not of fans, but of the area's bored teens. in other words, these were not kids who would have come to mr. connolly's class in a ramones t-shirt and plaid cons. and if that had been an accurate litmus test in the past, no reason to retire it now.
we arrived late, missing the open acts, but not late enough to miss some of the fundraising, mc'ing, and general disorganization that made the show seem less like a benefit at an arts center and more like a battle of the bands at inter-lakes high. the basketball player who put the thing together seemed goofy and genuine though, and he made up for the "official" mc, whoever the hell he was, who did things like ask if there were any ladies in the house and remind us all of the after party to be held at (the city's one still open) bar across the street. the teen were restless. my party was feared for okkervil's lives.
the band came out, will sheff up front in his grandpa's suit. i don't remember what they opened with, but i'm pretty sure it was "for real" from black sheep boy. starts slow, has loud moments, settles somewhere in between the two, and is, as starters go, not much of a pistol. but then something weird happened-- the kids all stood. some sat down again soon after, but it was a clear a chunk of these kids knew the songs. they knew the songs!
they were stoked to hear "for real" just like i was, because black sheep boy is probably the okkervil record i know best. i read that will sheff writes songs in different personas, but i rarely catch that-- i'm a well known lyrictard in that i can know a song backwards and forwards, sing it with gusto, and still have no idea what it's really talking about. that lucinda williams song about jerking off? news to me until about a year ago, and it's not subtle. "i lie on my back and moan at the ceiling"? c'mon.
one of my favorite songs on black sheep boy is "black," and that's so lyrically obvious that even i understand-- it's one of the most uptempo songs on the record, and it's about someone (a will character?) who's in love with a girl who's survived child abuse, but the uptempo works because it's about how angry this guy gets when he realizes how powerless he is to help the lady he loves. and despite the fact that even i get it (and it has prominent keyboards), it's still a compelling song, that's how good it is. rebecca, incidentally, is most familiar with their record "don't fall in love with everyone you see," which i don't really know so well. nick's favorite record, i'm not sure.
since high school, rebecca's tastes have definitely gone mellower than mine-- she's more gillian welch and such, i'm...it's not that my tastes that have mellowed, but my passion for music in general. by the time i was 16, 17, i wanted to be at the middle east or tt's every weekend seeing shows, or schlepping to lupo's on a weeknight for buffalo tom even, because i loved seeing bands, i loved that no one else in my high school (except for my friends) liked the bands that i did, because that meant they couldn't judge me for once. not that i wasn't judgmental myself-- hello, ramones t-shirt-- but the break, the feeling of belonging, was a big part of what kept me sane. that and my friends. i wouldn't have lasted long in nh at that age, either.
okkervil played most of the more upbeat "black sheep boy" songs first-- the audience, myself included, ate them up, and even basketball player and his brother played back-up tamborine on at least a couple songs (see? the spurs dude's love of the band is the real deal!). then they played the first song on the new record (not then out, but they'd leaked the single), and i love that song-- like i said when i reviewed it on datexedge, the song, "our life is not a movie or maybe," is vaguely anthemic, like something they'd play over olympic highlights or the last scene in a zach braff movie-- but they changed the beat in places, took out a base drum kick, and it was a noticeable enough drag to a song that, on record, out-inspires U2 on their best day.
but that began an overall trend of slow songs, of drag...and the audience seemed to respond more. i craved something fast, joyful, or at least joyful-sounding (songs about abuse, not joyful), but the kids wanted the mellower hits. eventually they played the song "so come back, i'm waiting"-- which is 8 minutes+ on "black sheep boy"-- and did it at near-half speed. the song builds, certainly, from meekly plodding to boldly plodding, but it takes a good while. in my decade plus of attending musical performances, an achingly slow song after a string of slow songs, performed to a mixed audience, would put most people in their seats, if not on their way out the door. but this was not the case.
nobody was sitting down. nobody was talking. at this point, will sheff had taken off most of the suit, down to his t-shirt and slacks, taking his time. the band performed like none of us were there, and in some ways, we weren't-- we were there as individuals, but the rest of the crowd, their t-shirts and family histories and bullshit, had dropped away. it's not just rare for people like me and rebecca and will and maybe mandy moore to really get to be ourselves in new hampshire-- it's hard for anyone. even when being from new hampshire is such a big part of who you are. even if, like me, you're not actually from there at all.
maybe it was the tone of the song that the kids could relate to, the aching, shtick-less sincerity, or the courage it took to perform it at that pace, in this state, in this world. but there was something about it that was more heart-pounding and exciting than any number of rapid bass drum kicks. something that reminded me of those shows in high school, of the excitement of being around strangers, of feeling like a stranger myself.
when the band played an encore, rebecca identified it immediately-- "listening to otis redding at home during christmas time," song # 8 on "don't fall in love...". i had never really noticed it before, maybe because it's so long and fragile, really just voice, strings and guitar with a whisp of snare, but i swear, since that show, i've listened to it over and over again. rebecca pulled my arm when the song ended and said, "it's about you!"
i like to imagine that it is. that it's not will sheff singing, or even one of his characters, but maybe will and rebecca and mandy and gg and everyone else. and then i join in, singing along, knowing not just the words, but exactly what they mean.
"sarah, come back to new hampshire, we'll stay there forever."
gabba gabba hey, one of us.
Wednesday, August 8, 2007
pt. 4: ID, WA, OR pt. 1
there's not much to say about idaho, except that it was very pretty, had more bigger cities along 90 that i expected, and marked the return of those pee wee's big adventure-style twisty roads through national forest that i can only drive on with lots of daylight and something brisk and alterna on the stereo (i think it was the afghan whigs "gentlemen"? brisker than you think, and who doesn't like to take sharp turns to the words "i've got a dick for a brain"?).
and that was through the rockies, i'm guessing, which will be forever ruined for me because i associate them not with natural splendor but as the source of most beers. the next day as i was listening to npr en route to portland, i heard that the idaho woods i'd just driven through had burst into flame, which was actually a recurring theme on this trip-- a day after i'd get through a place, there would be a hailstorm of biblical proportions, a lightening-caused forest fire, a mass murder of male first-borns (not really). so you can either chalk this up to the fact i'm a harbinger of evil, or that al gore is less full of shit than we all think. either way, i left a wake of ends-of-days behind me, and i drive a prius.
i think this picture was taking in idaho, i'm not sure, and it's one of those pictures that i look at now and have no idea why i took it. the odd promise of "ten mile road" in two miles that's not only confusing but evocative of detroit? that ol'photos-while-driving death wish? shrugs.
i'd also like to take this opportunity to declare that, after much time spent listening to radio from coast to coast, our national love affair with don henley's "end of the innocence" is alive and well.
WA:
oof, washington. now, i love seattle, so i won't dismiss the entire state outright, because that would be like hating massachusetts based on one trip to worcester, aka, the sphincter of the baystate. but if you've ever driven through eastern washington, splitting off 90 (adios, 90!) and going south, you know that it's basically a slog of two lane highway with occasional breaks to take left turns (taking a left turn across two lanes of highway where the speed limit is 70...brilliant), grey skies, farmland, and misery.
and while i don't know too much about meth beyond that it ruins your face, blows up your trailer, and, according to a public service ad that was all around chelsea a few years ago, could shamefully cause you to miss gay pride day, i know that i drove through one of the many places in this great country where meth is made. one town i stopped for gas in consisted of said gas station, a combo burger place/pool hall/laundromat, and a trailer park. and that's it. and as napa is perfect for grapes and cape cod is good for cranberries, isn't a town that has only trailers and hopelessness the best soil for cultivating methamphetamine?
i was told later on the trip that home invasions are a big problem in oregon because the sticks are crawling with meth addicts. and if you've ever driven from LA to vegas, there are long stretches on 15 that seem rather methy as well. so i guess my point is that washington was creepy, as are a lot of rural areas on the west coast, and god bless the east coast, were people just get addicted to oxycontin.
OR:
mt hood/shady:
my first stop in oregon was mt. hood, which is not just pretty, but also a glacier, so it's the only place in the us where there's skiing year-round. i fucking hate skiing-- anything that cold and expensive and requires you to wake up that early in the morning isn't a sport, it's a punishment-- but i was there to see teeter, my plutonic (sic) life partner, who was working at a snowboarding camp as a youth wrangler. i went up more pee-wee roads, stayed below the speed limit in the safety corridor, per her instructions, and arrived on main street government camp in the late afternoon.
it wasn't hard to find her since government camp is two blocks long and looks like extremetown, usa. where bank or supermarket signs would normally be, there were large banners for dvs and burton. to the left is the view from her porch-- trees, local watering hole, vans-sponsored skatepark. oof.
teeter was off the clock while the kids were snowboarding, so the amount of free time she had made it seem like she was just being paid to walk around being cool, like government camp was colonial williamsburg as a 3d mountain dew commerical, and teet was the shredworld equivalent of a lady paid to wear a bonnet and churn butter.
i hung around camp for a while, sneaking buzz around, eating the local cuisine, ie, frozen bananas (like normal bananas, but EXTREME), and sitting around with teeter and complaining about shit, which is the backbone of our friendship, if not our lives, and a source of great joy when done right because nobody finds us funnier than us and we are one of us. we also bro'd down with some brahs, two of which were far from ugly, as well as teet's co-counselor, caitlin, also not ugly, and then we wrapped up the evening by selling teet's totebags at the staff sale, which was actually pretty uggs.
this just in: this used to be a paragraph were i was 100% mean to this guy teet spent the summer escorting to the bone zone, and i only went to town on this dude's near-albino style because teet said it was ok to partake in-- nay, encouraged-- verbal carnage. now she's changed her mind so i'll just say that i wrote a lot of mean shit just because i could-- i hardly know the guy!-- and because he was a good subject for the funny, and now the world will never know. except about the part where i called him the abominable snowman, because it is my duty to share that with mankind.
anyway, staff sale. while some people were selling their original goods (like teet's bags, see red seagull fantasia to the right, feel jealous that i own one), most were just pros selling off the excess schwag their sponsors had given them. and if the kids are really that stoked on buying second hand, over-priced shit from the pros they admire, why not sell it to them, except that it's kind of exploiting their youthful idiocy and emitting of an ick vibe overall.
someone tried to reason with me that these pros are probably low enough on the totem to need the money, but if you knew how much these kids paid for 9 days of snows'n'pros, you'd see how that excuse would be harder to swallow. but whatever, teet sold some bags, and her next door vendor sold some handmade kerchiefs that were cute, and an other dude sold his own brand of bottled water, called p.
below are the bottles of p, the official t-shirt that says, "i drink p," and the "p pants," with a cluster of company logos right where it counts. please keep in mind that, in order to capture the image of said pants, i had to ask the nice gentleman if he'd mind if i photographed his crotch. he was more than happy to oblige.
and maybe i am being unfair in condemning the staff sale, or at least being too much of a pinko, because it's no secret that being in large groups of supercool people makes me heartstoppingly uncomfortable, as if everyone can tell that i listened to an old bonnie raitt song in my car that morning, or that i consider a fun evening to be freeform crocheting and watching sports night dvds for the 9 millionth time, or that the only cold weather sport i can handle is hockey, and that's just as a spectator since i skate like a knee-less grandma with a load in my pants. that said, i don't quite care if the supercool people do know all of that shit and want to send me back to comi-con where i belong, because fuck, i love comi-con! it's just the aura they give off, this exhausting mixture of vanity, judgment, and boredom. so it's like high school, essentially. BUT EXTREME.
but whatever, i got to hang out with teet s'more, and then i drove back down the mountain to sandy, or, which quickly became shady, or, since the best western smelled like b.o., was filled with drunk teenagers, and shared a parking lot with a jiffy lube and a kfc. oh! and when i parked my car, it turns out that the kids in the car next to me were totally doing it! fucking in a car parked directly outside of a hotel...EXTREME! ly stupid.
started the next day by finally changing my oil, so that jiffy lube wasn't such an eyesore, after all, and then i did some solo thrifting while waiting for teet to get off work. say what you will about goodwill (and you will)-- overpriced, snobby, no bathrooms, etc-- but anywhere you can get a vintage gunne sax dress for $4 (so that i can resell it to some hipster for $60) is fine by me. so yes, i am officially a staff sale hypocrite, but if that dress came in manatee size, i'd be wearing it right now, so that's got to mean something. ooh! plus hipsters are not impressionable kids, but technically adults who would have no reason to want to buy something overpriced based on my starpower, as i am not a star and am totally powerless. i knew i was in the right.
we also went to a smaller thrift store in town, the kind i usually love where it's $2 a bag, nothing is sorted, and the smell is strangely familiar but also intensely discomforting, but alas, i think a pack of kids from her camp had picked it clean. seriously-- because it was raining that day, the kids went on a field trip to the bigger goodwill nearby, and we knew they were there because the camp's buses were outside, and we knew they were the camp's buses because one of them has a horn and a tail to be the busicorn, and the other has a large mustache so it's the bustache. we drove even further to go to a vans outlet so the girls could exchange some shoes they'd gotten for free from camp, but of course, that was camper central, too. so they had to head back, and i had to get to portland, so we agreed to meet up in the city the next day. and off i headed to portland to see my friend simon, at least in theory.
portland:
simon and i went to college together, and between being funny, not-an-asshole, and from oklahoma, he gets away with a lot. like, when i met him he had an unfortunate facial piercing and rode a longboard, but i forgave him, because he was so nice and from oklahoma, and really, if you're from oklahoma and don't want to be armed and dress like an extra from brokeback mountain, it's sometimes hard to get sure footing on another stylistic path. then he shaved his head and got the oklahoma state logo tattooed on his arm, and even though his inner bicep seemingly displays a dreamcatcher (which it is not), simon still gets a pass. so when he said i could stay at his house but wouldn't write back or pick up his phone to finalize plans, i still couldn't get mad.
i drove into portland thinking i'd walk around, but i forgot that i was a, exhausted, and b, in a car, and portland ain't a huge bike city for nothing. i thought boston had the world's worst city planning, although when your roads are based on cowpaths, shit's bound to be less than efficient. i don't know what portland's excuse is, but driving around was tough, and parking was tougher. i thought i'd go into powells, so i used their garage, which is maybe the scariest place to park your car in the nation, scarier than sf, or the trader joe's in los feliz, or north tonawanda, ny (where the parking isn't as scary as the prospect of parking followed by getting out of your car, but we've gone over that). you drive up what feels like a 70 degree slope, then you take a blind turn (before which they ask you to honk, and you know it's bad when the one thing between you and a head on collision is your horn), then squeeze into the spot the man has assigned you.
i did this, illegally left buzz in the car, went into the store, got overwhelmed by the crowds, found out they didn't have the book i wanted, and left. it took five minutes, cost me $1.25, and resulted in me having to go right down dead man's curve again. where the fuck was simon?
teet told me a good hotel to stay at, so i hung out at a coffee shop across the street from it to internet and drink necessity coffee (and really, there is not other kind for me cuz i kind of hate coffee, so if you see me drinking it, it's because i have to drive down pee-wee roads at night or because it's my last ditch attempt to seem like a social human being). then they closed...and i sat in my car. i talked to my sister, now out of cleveland, thank god, and to my parents, who, god bless them, couldn't even hide their boredom, and then, just when i was getting ready to check-in to yet another hotel that would force me to hide my dog in a courrier bag, simon called! why did i ever doubt him! he's from oklahoma!
and while this isn't his house, it is his neighbor's house, and the whole block kind of looks like this (minus photogenic purple flowers), and after my night in the best western armpit and parking lot of carnal desire, it was a sight to see. and i hadn't seen simon in a while, so i caught him up on all my bullshit, and vice versa, and then he took me to food and then to watch him dj, which wasn't entirely awful cuz we did get to talk a bit, but c'mon.
i'll never understand girls who like dating guys just 'cause they're in bands, or the coatrack girlfriends teeter and i used to mock who were content being at a show and standing at the back holding their man's outerwear while he cut it up up front, or especially girls who want to date djs, because just standing there is so, so incredibly fucking lame. don't you just want to shake those girls and say, hey! asshole does not hold the keys to the kingdom, you could be on that stage your damnself! you go be enjoying that rock band instead of paying money to double as a piece of furniture! you could drag your record collection to clubs and put records on turntables and mysteriously get paid for it, you don't need a cock in order to apply! so while simon gets a pass on dj'ing, not just because he's from oklahoma, but because he's trying to support himself as a freelancer (much respek), and while we did have windows of chat, sitting to the side next to a man dj'ing did make me feel kinda dirty. i took a longer shower than normal that night, i'll just say that.
also, i'd like to note that simon's roommate, who was very nice and had an incredibly cute pug, has some of the best interior design style i've ever seen. as i look around my office right now, i see papers, three open drinks all being consumed at once (who wouldn't like a water/fresca/diet dr pepper combo?), various balls of yarn, cardboard boxes, dirt...not the stuff of domino magazine. but this girl's desk had just a laptop and some adorable antique something something, not even a post-it note out of place. their apartment was like a model home set up by anthropologie. and while this picture doesn't quite capture it as flash always kills the party, you're going to have to trust me. sister's got class.
anyway, we started the next day with coffee at a shoppe where simon knew almost everyone, and where the kid behind the counter couldn't understand why i found it funny that they sold scones with marionberries. like, does the scone have li'l chunks of crack and whores in it? does no one remember dc's most famous mayor? and where the fuck did marionberries come from, cuz those aren't an east coast treat. anyway, we met up with teeter and caitlin for delicious breakfast. simon spoke in the uninhibited, humorous manner that i love him for (hi! oklahoma!), i laughed, teeter probably wondered who's this guy talking about a girl he had sex with once who screamed "i'm the happiest pony in the field!" when she came, and in the end, the place made really great mushroom gravy.
so we went to a couple fancy shopperies in downtown portland and had famous voodoo donuts before the girls went back to camp and i went to eugene. and yes, there's a lot of stuff i didn't get to see, but like missoula, portland is a place i will undoubtedly return to one day (as i'd already been there before, but one day in 1997 doesn't really count). i mean, simon's house is a dream, and there was no not-delicious food. like mt hood, however, portland did seem to be made up almost entirely of cool kids, but i guess that's where simon comes in in the first place. he will never be too cool-- he was always be from oklahoma. i will always enjoy sports night. but even i need supercool people to sell those gunne sax dresses to.
next: pt. 5: OR, CA, the end, thank god, this is only getting less funny as my memory gets worse and worse.
Tuesday, August 7, 2007
mini review round-up: maximo park / the ten / maximo park and that ronson guy
(at the el rey, 7/25)
i would like to skip the part where i defend or attempt to explain why i like this band, which i have attempted to do both here (scroll down) and here (scroll way down). so instead i'll just talk about the show, which i went to with my friend emma, an actual english person/one of the only people i know in this god foresaken city as slurry of traffic and burrito coverings and pain. i mention the anglo thing because the band is english-- they're from newcastle, which means they sound as if like if the english accent had an english accent, but also, a little retarded-- and even the one opening band we saw, or that i sat through while emma gawked at the lead singer who kept feeling herself up, went out of their way to cover "i wanna be adored" despite the fact they're from LA. emma said they were like the shoegazer divinyls, i thought they were like this music in the background that played while i got to sit in a nice chair.
maximo park, on the other hand, could not, cannot, will not be ignored. the band plays stadiums in europe, and while the el rey is about the size of a euro festival's bottled water tent, they didn't seem to know this. the keyboard player allowed every part of him to dance that wasn't the one hand he had to actually play music with, and he did this despite wearing some of the tightest girlyman jeans every sewn, the kind that are spandex until they get within six inches of the groin, where upon the get oddly baggy, thus giving the effect of a child wearing tights over a diaper. even the bass player, who looked like a brown robert smith, occasionally broke out of his sulk to walk to the front of the stage...and sulk more aggressively, and in plain sight.
the main attraction, of course, is lead singer paul smith. it's not just the suit, the jacket and tie of which are not long for the stage (and the tie put up quite a fight, let me tell you-- then again, it's hard to sing, dance, and remove formal wear all at once). it's not the bowler hat that covers the ill-conceived combover that he shamelessly displayed after their first record (i go off on this elsewhere, but in case you're too lazy to link, think guiliani meets hitler meets a brown rainbow with a jaunty curl at the end for extra ewww). it's not the fact that he refuses to remove the bowler hat despite the fact that he works up a sweat so intense that he soaks not just his shirt, but his pants, and i know that because it became impossible to ignore the plain evidence that brother isn't circumcised (i know, ew, but they clung like his keyboard player's jeans minus the diaper or any comparison to a child).
it's the fact that when paul smith performs, jumping about as if he had an audience of 40000 intead of 400, he's like a figure skater on dry land. if the lyric mentions crying, you can bet his hand is at his eye. if the word sky comes up, he gestures to the heavens like a gliding nancy kerrigan, or maybe even a member of 98 degrees, except faster, and with jumping, and while wearing a thick hat. and if there's a break in the beat, he's airborne, taking off from the drum riser and getting air for another triple lutz.
i can't remember the last time i've seen a show like this-- the kind of show where the band bows at the end, and the singer plays with the microphone stand, and the audience loses their shit. i held on to most of my shit, but i never got bored, and i found myself joyfully laughing more than once. when a guy in a bowler hat does an artistic physical interpretation of the words, "the coast is always changing," making it seem as if he is a changing coast, and then swivels the hips he doesn't have before doing another aerial routine, you try not to be amused.
and the show came just at the right time, just after i got back to LA and was wondering if things were going to get any better. when emma and i had time to burn during the first opening band, we got ice cream at a place where the outdoor tables had a view of a strip club, a "captivity" billboard, and a parking lot. this was the LA i remembered. this did not bode well. but then we went to the show, and it was a show-- it was a full on, no holds barred, forget the traffic and burrito coverings-style spectacle. in other words, it was great. they stuck the landing, just like they stuck to their pants.
*"the ten"
i love wet hot american summer-- i saw it in theater on 2nd avenue and laughed so hard that other people were afraid to laugh with me. i have since seen it on dvd several times, with and without the fart track. and while i never really watched the state-- i felt the need to pledge allegiance to the kids in the hall at the time, as if there was some sort of north/south comedy troupe war that would end with dave foley being shot outside a casino in vegas-- and don't really watch reno 911, i wouldn't miss another state-related absurdist venture into cinema. especially if it was playing at 7:30 and at 7 i'd driven by the line for seeing pee wee's big adventure at the hollywood forever cemetery and realized it was a pipe dream.
anyway, the movie is 10 short vignettes based on the 10 commandments, and while some are very funny (lord's name in vain, with spanish narration that revels in saying the word vagina, which i realize makes it seem like the lord's name is vagina, but that's not what i meant), and some are only just kinda funny (honor your parents, which involves a governator impersonator, so...yeah), one really, really sucks.
because i don't get-- and i ask this earnestly out of sincere confusion-- what's so funny about prison rape? take out the word prison, and we're just mocking rape here. and i'm not exactly a petite fleur or anything, lobbying for all rape-related jokes to be banished like that absurd movement to remove the "n-word" from spoken language. in fact, there was one rape-related joke in the bit that was funny, in as much as it was a joke relating to rape, but i don't find anything inherently funny about the line of humor that revolves around men getting raped in prison.
maybe in a broad way, like, "that guy's going to make me his bitch, i don't want to toss salad, i'm wife to no man," etc, but even then, that shit is so tired. jokes always go in cycles, either because everyone's riffing on the same news blurb (hello, astronaut in a diaper) or because something just enters the general comedy consciousness (sup, inexplicable spate of bea arthur jokes in 1999). and prison jokes were unofficially retired after that prison movie tanked hard, despite the fact it involved almost everyone i find funny (bob odenkirk, will arnett...and wasn't it written by those two guys from the state that who will write whatever for whoever without shame, ie, my kind of heroes?).
so this one vignette is about a guy in prison who's getting brutally raped, and in the last moments, we hear him getting brutally raped. so...hi. and the set up is that he's strangely courted by his new rapist, as if they have a rapist/rapee chemistry, but having the punchline being the graphic, not-jokey sounds of a guy being violated? help me out.
i see the "the ten" in EW terms-- most of the bit gets A- and Bs, but one F brings the whole grade down to a solid B-/C+. because really, i don't get it, and i don't get how they get it, especially since they spend most of the rest of the movie, and in their movies, getting it, and getting it right.
*"apply some pressure" - mark ronson/paul smith.
mark ronson is a former celebutard dj who wanted to prove he could do more than have his butler bring his record collection to clubs so he could get paid for putting plates of vinyl on turntables and call it a skill. one of his sisters is also a celebutard dj, and another designs flip-flops. clearly, they are a boon to the human race.
and i know this is excessively harsh, because really, god bless them and their wealth and their top-of-the-line beach/slob footwear, but it just irks me because mark ronson has been getting a lot of attention lately. first, for producing amy winehouse's breakout/180, "back to black," and now for putting out a record of remixes called "version." i have the amy winehouse record, and i have one song from version, because it's a remix of (bringing it full circle) maximo park. and i think both are kind of fucking retarded.
let me compare to the world of garments-- when i lived in new york, one of my many bullshit jobs was peddling vintage, which meant going to thrift stores and looking for pieces to resell to boutiques, designers, beacon's closet, or anyone willing to help me make a profit on the 5 cents i paid in the first place. one thing you always had to look out for was pieces that were vintage to the point of being costumey-- a 70s shirt that was less cool and more brady bunch, an 80s sweater that wasn't so much hip as it was napoleon dynamite. and when i hear mark ronson, his production, to me, sounds like the equivalent of that rejected 70s shirt. he didn't give amy winehouse a unique sound-- he gave her a sound so specific and dated that she might as well be singing about rehab over some lost score from little shop of horrors.
and with "apply some pressure," it's more of the same shit, more instrumentation that's as original and authentic as that 50s themed diner in ghost world that had those tabletop jukeboxes that played gangsta rap. it's interesting to hear the song remixed, but the style of remix could not be more cartoonish and dull. i think mark ronson has a great career in front of him writing the music for the next john waters broadway extravaganza, or maybe producing a remix of "leader of the pack," but otherwise, surprise, he's still not a dj. they wanted me to buy the hype, and i said no, no, no. and neither should you.